Ed Dentzel is the host of the missing persons program, Unfound. He’s covered over 120 disappearances including Flight 370. However, before devoting his life to helping missing persons families, he was the Stage Manager for “The World’s Greatest Magic Show” at the Greek Isles in Las Vegas from 2005 to 2008. While there he worked with more than 50 magicians, helping them create and hone new tricks.
“Magicians don’t go on stage with a new trick until it’s flawless,” he told me. “Sometimes it means months and months of choreography, lighting changes, equipment changes, costume changes, all in an effort to make sure the audience can’t figure out how the trick works. I got paid lots of overtime while helping them find perfection.”
I asked him: given his experience in devising magic tricks, what does he think of the idea I laid out in The Taking of MH370 that the disappearance could best be thought of a stage magic–does the disappearance match with the way a magic trick would be crafted? This is an edited version of the reply he sent me.
I do see a lot of similarities. And I think you’ve touched upon a few of those qualities without possibly knowing it.
First, every magic trick is tailored to the environment in which it will take place. In other words, there’s a reason at a child’s birthday party you don’t see a magician cutting a woman in half. Why? Because to do that trick, the audience can’t be “on top of” the magician. If the audience is too close, then the trick is exposed. Also in other words, the simpler the trick, the more it can travel from a stage, to a convention room, to a home. Card tricks are probably the best known of this kind.
How does that relate to Flight 370? Well, if things happened the way you’ve written, the “trick” couldn’t have been performed over the USA at noon on a Wednesday. Why? Other jets would see Flight 370 leaving its path. People on the ground would see it. Military and civilian radar would see it. Instead, these hijackers picked the correct venue for their trick: Southeast Asia, where things are a little lax, especially at night.
Second, every trick has a tell. Not because the magician wants it that way. But because there is no easy way to make things seem possible that are truly physically impossible. What do I mean? Well, a magician can’t make birds appear out of nowhere if he is naked on stage. So, her costume/his suit/those pants are not something you’d pick up at the Men’s Warehouse. Those are specially designed clothes for that bird trick. Likewise, in almost every levitation trick out there, there’s a reason the magician drapes a piece of cloth over the entire assistant before she is suspended in the air. Why? Because that’s to cover the woman sliding into the table she is lying on, and what the cloth is really covering as it goes into the air is a wire frame suspended by wires. But, to the audience–the magician’s clothes, the draping of the assistant, etc. appears to be very natural and unassociated with the trick itself, even though it is. Maybe the best example is when David Copperfield walked through the Great Wall of China. Great trick. Yet, the tell was right in front of everyone the whole time . . . why exactly did he use the same platform and shrouding on one side of the Wall, then the other? You mean a rich guy like that couldn’t afford platforms for both sides. Well . . . it was because he was hiding in the platform and thus got carried by his assistants from one side of the Wall to the other.
How does that relate to Flight 370? Well, it may be that the SDU cutting out and coming back on is that “tell.” And you’ve kind of explained it as such. To seemingly everyone else in aviation, this is just some natural thing that occurred. To you, it’s the “tell” that a “trick” was taking place. And like the magic tricks which need the special costume or the draping of the assistant, the taking of Flight 370 couldn’t have happened without the SDU going off then on again. Continue reading MH370 As Stage Magic